Please find a selection of the latest journal articles to arrive in the Chantry Library below:
AIC News, Vol.36, No.5, September 2011
- Plastics are Forever: Wraps, Tools, Films, and Containers Used in Conservation by Mary Elizabeth Haude et al. pp1, 3-5
Health & Safety: NIOSH Sets Exposure Limits for Nano-Titanium Dioxide pp14-16
New Materials & Research: Metrics for Museum Transport: Calculating the Carbon Footprint of Museum Loans page 16
The Picture Restorer, No.39, Autumn 2011
Feature Profile: Lining Dynasties: A question of Training by Tabitha Teuma pp6-9
Treatment Feature: Moisture Treatment and Flattening of a Severely Distorted Large Format Oil Painting on Canvas without Facing or Looming by Dr. Leslie Carlyle and Diana Conde pp9-12
Presented: Lecture at the Worker’s Guild: A Technical Study of Three Paintings on a Shakespearean Theme by Henry Fuseli, RA by Caroline Rae and Dr. Christina Young pp12-15
I Remember When… Reminiscences From the Royal Pavilion, Brighton by Janet Brough pp16-18
Material Focus: The Use of Localised Solvent Vapour in the Consolidation of Flaking Paint on an Oil Painting on Copper by Kirstin Stromberg pp18-21
Safe and Healthy: The Use of a Portable Ionisation Detector to Measure Volatile Organic Compounds in a Paintings Conservation Studio by Tom Caley pp21-22 & 30-31
In the Frame: Alternative Framing Methods: Reducing Stress when Framing Responsive Panels by Ray Marchant pp32-37
Where are they now ? International Special: Catching up with Catherine Nunn, Sharon Tager, Jessica David, and Lydia Gutierrez pp38-41
News from the Postgraduate Training Courses: The 29th Gerry Hedley Student Symposium – reviewed by Abigail Granville and Gabriella Macaro pp42-45
Reviews: BAPCR Studio Visit – Katherine Ara Paintings Conservation & Restoration (2nd June 2011)
Conferences: The Sticking Point: Adhesives and Consolidants in Paintings Conservation, Icon Paintings Group Conference, 6th May 2011, National Portrait Gallery, London.
Print Quarterly, Vol.28, No.3, September 2011
- An Addition to the Oeuvre of Wenzel von Olmütz by Christopher Mendez page 241
- An Early Forgery of the Buxheim St Christopher by Szilvia Bodnâr pp242-244
- A Little Gift from an Old Friend Dürer’s Drawings by Fra Giocondo by Arnold Nesselrath pp244-248
- Jan Gossart’s Mocking of Christ: A Reversal of the States by Nadine M. Orenstein pp249-255
- Niccolò Vicentino’s Miraculous Draught of Fishes by Naoko Takahatake pp256-260
- Michelangelo at Fontainebleau by Catherine Jenkins pp261-265
- Béatrizet’s Last Judgement, after Michelangelo, in the Courtauld Gallery by Michael Bury and Katharine Lockett pp266-271
- A New State by Goltzius, with Imperial Implications by Marjorie B. Cohn pp272-275
- Rome, 1610: Guido Reni after Annibale Carracci by Marzia Faietti pp276-281
- An Unrecorded English Broadside Ballard of 1626 in Český Šternberk by David Paisey pp282-287
- Cesare Bassano’s 1635 Siege of Valenza by Mark McDonald pp288-292
- Cardinal Francesco Barberini and the Specula Principum Tradition by Ketty Gottardo pp293-297
- “Washing the Ass’s Head’: Proverbial and Allegorical Prints of the Sixteenth Century by Jean Michel Massing pp298-305
- Robert Vaughan and Monumental Brasses by Simon Turner pp305-309
- Some Observations on Rembrandt’s Bathers by Martin Royalton-Kisch pp310-314
- A Rare Survivor: Francois Langot’s Christ Crowned with Thorns by David Maskill pp314-317
- Jean Lepautre’s Forgotten Seven Cannons by Maxime Preaud pp318-320
- A Mauro Gandolfi Print Study: Lost and Found by Hugo Chapman pp321-322
- Remarks on Giambattista Tiepolo’s Scherzi by Christian Rümelin pp322-326
- Giovanni Domenico Tiepolo: The Patiche as Capriccio by Peter Parshall pp327-330
- William Pennock: Retrieving an Early Eighteenth-Century Print Publisher by Malcolm Jones pp331-337
- Satirical Prints by Jefferyes Hamett O’Neale by Sheila O’Connell and Rosemary Baker pp338-344
Print Quarterly, Vol.28, No.4, December 2011
- Jean-Baptiste Glomy’s Etched Borders for Drawings and Prints by Peter Fuhring pp369-375
- The Print Collection of Sir Joshua Reynolds by Donato Esposito pp376-381
- Raphael Morghen’s Inventory of the ‘Calcografia Volpato’. Taste and the Print Market in Neoclassical Rome by Georgio Marini pp382-384
- Some Thoughts on Flaxman and the Engraved Outlines by Deanna Petherbridge pp385-391
- Frog to Apollo: A French Print after Lavater and Pre-Darwinian Theories of Evolution by David Bindman pp392-395
- Enlightened Friendship by Frances Carey pp396-400
- ‘Good Morning Gentlemen, What Are We Up to ?’ by Ger Luijten pp401-404
- Alexander Cozens and Amateurs Drawn to Etch by Kim Sloan pp405-409
- James Hughes Anderdon’s Collectanea Biographica. An Extraordinary Collection in the Keeper’s Office by An Van Camp pp410-413
- Documents on Godefroy’ Engelmann’s Chromolithographie by Tanya Szrajber pp414-418
- Antoine-Augustin Renouard’s Collection of Affiches de Librairie by Chris Michaelides pp418-424
- Five Lithographic Stones for Manet in 1873 by Juliet Wilson-Bareau pp425-428
- Degas and Hiroshige by Tom Rassieur pp429-431
- Reflections on Gauguin’s Woodcut Soyez amoureuses by Richard S, Field pp432-435
- The Book and Print Collector Hans Fürstenberg by Paul R. Quarrie pp435-439
- A Hoytema Archive in Boston by Clifford S. Ackley pp439-443
- Boom and Bust. Notes on the Interwar British Print Bubble by Celina Fox pp444-448
- Two Bookplates by Joseph Hecht by Martin Hopkinson pp448-450
- Patriotic Hellenism: A Poster for the 1948 London Olympics by Ian Jenkins pp451-455
- The Influence of Hercules Segers on Post-World War II Netherlandish Printmakers by Jan Piet Filedt Kok pp456-462
- An Unknown Lithograph from Philip Guston’s Late Work by Michael Semff pp462-463
- Disguising Dürer’s Line and Other Print Transformations by Carl Fudge pp464-470
- ‘Geography with a Purpose’ Bea Maddock’s Terra Spiritus by Irena Zdanowicz pp471-477
Quick reminder ! Icon members are entitled to 10 free journal articles (or book chapters, conference papers) each year – contact chantrylibrary@icon.org.uk for further details.
